When I wrote Saturday about the attempts of New South Books to sanitize the "The Adventures of Huckleberry Finn", I'm sure that the implication was that I was making an attempt to take a swipe at another left-wing effort to sanitize society and ruin a classic piece of literature (and perhaps I was). While focusing a laser-like attention on this particular bit of odious behavior however, I missed it when both sides of the political aisle were showing similar spinal degeneration in Washington DC.
How else can one explain that I managed to overlook the lack of intestinal fortitude of the 'New Right' in Congress when reading the document that they swore to "support and defend" when taking their oath of office. Demonstrating that even the most noble of efforts can be blemished by the desire not to offend, Congress chose to 'Huckleberry' (a term I'm sure will become part of the popular lexicon in the coming days) the Constitution, and read only the 'Constitution-as-amended' in order to prevent such a potential affront.
For those who missed it, the following text from Article 1, Section 2 (among others) was glaringly omitted:
"Representatives and direct Taxes shall be apportioned among the several States which may be included within this Union, according to their respective Numbers, which shall be determined by adding to the whole Number of free Persons, including those bound to Service for a Term of Years, and excluding Indians not taxed, three-fifths of all other Persons."
In other words, as in New South Book's interpretation of Twain's novel, Native Americans and African Americans were pointedly slighted in the original writing by not being fully counted when deciding on the number of Representatives in Congress or the dispersion of taxes to the respective States in this founding document.
We could debate endlessly on the injustice of slavery (indentured and otherwise), and the unjust treatment of Native Americans in this country's early days; and why neither was dealt with in either the Articles of Confederation or the Constitution. The intent of the Framers as to the language in this Article was pretty clear however. There was a great deal of concern at the time that by fully counting slaves for the purposes of apportioning representation, a disproportionate number of representatives in the national legislature would be held by southern States. This would not only give these States undue influence in the national government, but would effectively stifle any future efforts to end the slavery most were against.
Instead of using this as a teaching moment, Congress chose to miss an opportunity to point out through reading the unadulterated version of the Constitution, one of the great strengths that this document possesses. Doing so would have shown that the Founders understood their own potential fallibility. That being men of their time, they understood that they could not foresee every wrong to be righted or injustice committed (intentionally or unintentionally); and must therefore put in place a method to change or Amend this document. In the case of problems presented by Article 1, Section 2, this was accomplished in Section 2 of the 14th Amendment (passed in 1868).
I know that if the Constitution had been read in its entirety, that the focus of some of the media 'talking heads' would invariably have been only on the offensive nature of some of these original sections and on the history of injustice in this country. I likewise know that we seem to have little else else to discuss when it comes to the Founders. I would rather that such discussions took place however, than that we attempt to hide not only from our past imperfection, but from the willingness and ability to change.
For many years in my days of travel across the country, I was confronted nightly by a porcelain fixture and a band of paper. Apparently I was supposed to be reassured that regardless of whether the rest of the room had been properly cleaned or not, I should be comforted by the fact that the toilet had been sanitized. While this notification procedure has long since disappeared, it seemed a harmless enough conceit where a hotel room is concerned. I am far less comforted however, when we attempt to perform the same function to the document defining the limits of government in this country by those who supposedly serve it. We may in fact choose to sanitize the Constitution for public use, but I for one, feel far from protected as a consequence.
Showing posts with label huckleberry finn. Show all posts
Showing posts with label huckleberry finn. Show all posts
Monday, January 10, 2011
Saturday, January 8, 2011
Not Your Huckleberry
New South Books (a name apparently designed to send us a message as to its intentions) has decided as an example that the use of the 'N-word' in "The Adventures of Huckleberry Finn" is offensive; and has decided to edit this Mark Twain classic, substituting the word 'slave' instead. The fact that the 'N-word' is in fact considered offensive because it implies a concept more in keeping with slavery has to make one wonder why the word Twain used is more offensive than the actual word that NSB will use. In the spirit of multiculturalism, NSB also found the term 'injun' offensive.
Such is the nature of political correctness in the modern age. Perhaps instead, we should all find the concept of editing historic literature to the politically correct standards of today something even more offensive. If not, we must otherwise ask ourselves what other novels of that historic period (or others) we should go back and rewrite in order to bring them up to a more considerate and compassionate standard? Shakespeare talks about spousal abuse in "The Taming of the Shrew". Should the plot be modified to describe the relationship instead as one of two people quietly discussing their differences before finding common ground? "The Handmaid's Tale" from 1986 by Margaret Atwood describes every form of abasement that a woman can be subjected to. Should we sanitize it (leaving little left), or better still, ban it in an effort to fit today's code?
But what the heck, if we're going to take the trip down the crazy road, let's not stop with changing pieces of literature ... The Old Testament of the Bible tells us how to sell one's daughter into the slavery that seems to be objectionable in Twain's novel, "And if a man sell his daughter to be a maidservant, she shall not go out as the menservants do." Leviticus 21:9 goes further perhaps, giving us guidelines for capital punishment (or perhaps even murder) for those committing adultery, "If a man commits adultery with another man's wife ... with the wife of his neighbor ... both the adulterer and adulteress must be put to death."
Certainly these are not the only potentially objectionable passages from this holy book, and most assuredly not the only questionable excerpts that could be taken from the combined religious texts of the world today. What should the standard be for which terms or concepts are offensive and which books should be changed to fit a more modern sensibility?
You know, this discussion came up some years back on a much smaller scale when many wide screen movies were adapted to viewing on television. Since movies filmed in processes like VistaVision, Panavision, and Cinemascope did not fit the 'small screen', people were hired to crop the frame in order to make them do so. As many movie directors have since pointed out, this allowed these editors to substitute their vision for the director's point of view. Often in fact, the visual scope or message that the director of these films was trying to convey (or both) was lost through this editing processes.
Recent years have seen calmer head prevail and these misguided efforts rightfully retracted; and though wide screen movies often now more closely fit the aspect ratios of current flat panel televisions, channels that show movies filmed in wide screen formats choose to show them in their original form whether they fit or not.
The same standard should be applied to the printed page, and for the same reasons. There is no way that current editors can make changes to these works without changing both the authors art and intent. Poor and politically incorrect language was used because it was common parlance of the time. It speaks to the sensibilities of the era as much as it does to the nature of the story. It sometimes speaks to the biases of the writer, an element critical to understanding the intent of the story. Without the proper historical perspective, it's impossible to understand what the author was conveying to his audience (and if history is to be any judge, pretty successfully).
The writing of Mark Twain is well worth the effort of young people to read regardless of its purported faults; both from the standpoint of well-written literature and from its ability to describe a historical perspective on the life of the times.
There are likewise many other good pieces of literature of a fictional or religious nature that contain questionable terms and concepts, and yet remain worthy of the effort of reading. It may mean that the teachers who direct their students to them may need to do a bit of explanation as to some of the questionable material contained therein; but that after all, is a large part of the job of teaching. In fact, helping students to gain an understanding of the complexity of such material may be the most gratifying part of such a career. As for those who seek to redefine Twain or any other classic literature, let me mix the metaphor and paraphrase something said in a more recent cinematic effort, "Tombstone". As far as this Doc Holliday is concerned, its time to tell the New South Books version of Johnny Ringo:
Update: I appear to not be alone in choosing this as a subject this weekend, and there is an excellent piece at Mad Jack's Shack Rant on it.
Such is the nature of political correctness in the modern age. Perhaps instead, we should all find the concept of editing historic literature to the politically correct standards of today something even more offensive. If not, we must otherwise ask ourselves what other novels of that historic period (or others) we should go back and rewrite in order to bring them up to a more considerate and compassionate standard? Shakespeare talks about spousal abuse in "The Taming of the Shrew". Should the plot be modified to describe the relationship instead as one of two people quietly discussing their differences before finding common ground? "The Handmaid's Tale" from 1986 by Margaret Atwood describes every form of abasement that a woman can be subjected to. Should we sanitize it (leaving little left), or better still, ban it in an effort to fit today's code?
But what the heck, if we're going to take the trip down the crazy road, let's not stop with changing pieces of literature ... The Old Testament of the Bible tells us how to sell one's daughter into the slavery that seems to be objectionable in Twain's novel, "And if a man sell his daughter to be a maidservant, she shall not go out as the menservants do." Leviticus 21:9 goes further perhaps, giving us guidelines for capital punishment (or perhaps even murder) for those committing adultery, "If a man commits adultery with another man's wife ... with the wife of his neighbor ... both the adulterer and adulteress must be put to death."
Certainly these are not the only potentially objectionable passages from this holy book, and most assuredly not the only questionable excerpts that could be taken from the combined religious texts of the world today. What should the standard be for which terms or concepts are offensive and which books should be changed to fit a more modern sensibility?
You know, this discussion came up some years back on a much smaller scale when many wide screen movies were adapted to viewing on television. Since movies filmed in processes like VistaVision, Panavision, and Cinemascope did not fit the 'small screen', people were hired to crop the frame in order to make them do so. As many movie directors have since pointed out, this allowed these editors to substitute their vision for the director's point of view. Often in fact, the visual scope or message that the director of these films was trying to convey (or both) was lost through this editing processes.
Recent years have seen calmer head prevail and these misguided efforts rightfully retracted; and though wide screen movies often now more closely fit the aspect ratios of current flat panel televisions, channels that show movies filmed in wide screen formats choose to show them in their original form whether they fit or not.
The same standard should be applied to the printed page, and for the same reasons. There is no way that current editors can make changes to these works without changing both the authors art and intent. Poor and politically incorrect language was used because it was common parlance of the time. It speaks to the sensibilities of the era as much as it does to the nature of the story. It sometimes speaks to the biases of the writer, an element critical to understanding the intent of the story. Without the proper historical perspective, it's impossible to understand what the author was conveying to his audience (and if history is to be any judge, pretty successfully).
The writing of Mark Twain is well worth the effort of young people to read regardless of its purported faults; both from the standpoint of well-written literature and from its ability to describe a historical perspective on the life of the times.
There are likewise many other good pieces of literature of a fictional or religious nature that contain questionable terms and concepts, and yet remain worthy of the effort of reading. It may mean that the teachers who direct their students to them may need to do a bit of explanation as to some of the questionable material contained therein; but that after all, is a large part of the job of teaching. In fact, helping students to gain an understanding of the complexity of such material may be the most gratifying part of such a career. As for those who seek to redefine Twain or any other classic literature, let me mix the metaphor and paraphrase something said in a more recent cinematic effort, "Tombstone". As far as this Doc Holliday is concerned, its time to tell the New South Books version of Johnny Ringo:
"This isn't your Huckleberry."
Update: I appear to not be alone in choosing this as a subject this weekend, and there is an excellent piece at Mad Jack's Shack Rant on it.
Labels:
huckleberry finn,
politically correct
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